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Two mud mixtures from palette scrapings |
Some people put it in tubes. You can buy the tubes through art supply catalogs. But it always looks like a lot of work to me - and would I actually use those tubes of mud? My solution to the leftovers is to use it to coat or tone panels or stretched canvas.
Usually I use it on gessoed panels because I really don't like the extreme absorbency of the gesso. It just sucks the paint off my brush faster than I can reload. But if I coat them with these leftover mud colors it leaves a nice oil skin to work on. It gives me a choice of interesting ground colors which I can choose according to my mood or setting. Whether I'm outdoors or in the studio, the paint goes on smoothly and the color does interesting things for the painting.
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Some panels with different mud mixes on them |
To coat my surfaces, I simply thin the mud with a bit of gamsol and spread it on evenly or haphazardly using my largest brush which happens to be a #10 bristle. If I'm coating a larger canvas or panel - 16x20 and up - I use a house painting brush. I let them dry for a week or two before using them. I keep them in stacks according to size and just grab one or more when I'm gathering my equipment for outdoor painting.
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A few more - varying sizes and colors |
Now you know what I do with my leftovers. What ideas or practices do you have for your leftover paint?
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