Two mud mixtures from palette scrapings |
Some people put it in tubes. You can buy the tubes through art supply catalogs. But it always looks like a lot of work to me - and would I actually use those tubes of mud? My solution to the leftovers is to use it to coat or tone panels or stretched canvas.
Usually I use it on gessoed panels because I really don't like the extreme absorbency of the gesso. It just sucks the paint off my brush faster than I can reload. But if I coat them with these leftover mud colors it leaves a nice oil skin to work on. It gives me a choice of interesting ground colors which I can choose according to my mood or setting. Whether I'm outdoors or in the studio, the paint goes on smoothly and the color does interesting things for the painting.
Some panels with different mud mixes on them |
To coat my surfaces, I simply thin the mud with a bit of gamsol and spread it on evenly or haphazardly using my largest brush which happens to be a #10 bristle. If I'm coating a larger canvas or panel - 16x20 and up - I use a house painting brush. I let them dry for a week or two before using them. I keep them in stacks according to size and just grab one or more when I'm gathering my equipment for outdoor painting.
A few more - varying sizes and colors |
Now you know what I do with my leftovers. What ideas or practices do you have for your leftover paint?
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